Smiley Skull and Smiley Guy study, HB pencil, 4x6"

In preparation for my Alla Prima Portrait Painting workshop with Rose Frantzen next month, I wanted to work on my drawing skills so I can keep up in class. Although I draw all the time, I discovered I really had no understanding of head and facial construction.

Skulls and Faces in the Same Positions, HB pencil, 11x9"

I usually draw what I see, compare shapes, angles and plumb lines to try to get some accuracy, but I don’t worry about it too much. That wasn’t cutting it when it came to drawing heads.

So I turned to the great book by Andrew Loomis, recently back in print, Drawing the Head and Hands. His books are also available as PDFs here on the web. There is an excellent explanation with clear examples of the Loomis approach here on Stan Propopenko’s blog so I won’t go into it here. All of my drawings in this post started with the Loomis ball divided in thirds with the jaw then added on.

Skulls and Muscles from Loomis book, 11x9"

I worked through the Loomis book and when I came to his skull and muscle drawings in the book I tried copying them (above). I also tried some other books’ methods of constructing heads (using an egg shape, a block, double ovals, etc.) but none worked as well as the Loomis approach.

I wanted to do more than copying sketches so I started drawing skulls and people I found on a Google image search, drawing the people in about the same position as the skulls (the two pics at top of post and the one below).

3/4 View Skull and Pretty Girl, HB pencil, 4x6"

Next I’m going to borrow an actual skull cast and practice drawing it in different positions. At the workshop I want to learn to paint portraits; not spend the time struggling with the drawing.

You can see how much my drawing has already improved in the sketches below displayed in the order I did them. The reference photos for the pictures of actors are from the book In Character: Actors Acting; others are from the web. You can click any of the images to see them enlarged in a slide show.

Happy Lunar New Year, Shoplifters Will Be Prosecuted, ink & watercolor 5x7.5"

The shoppers at Ranch 99 Chinese supermarket were in festive spirits and the store was decked out in red and gold for Lunar New Year. There were red envelopes, red lanterns, brilliant green Narcissus in fuchsia foil wrappers, special treats in red and gold boxes, and bunches of simulated fire-crackers hanging from stop-sign shaped objects that said something in Chinese, but probably not “Stop.”

I found an empty corner in the produce section to sketch from and used a shopping cart as a table for my paints. It was an odd juxtaposition to see the “Shoplifters Will be Prosecuted” sign on a post right below the huge “Happy Lunar New Year” banner.

Whenever we sketch at Pacific East Mall, the Asian marketplace where Ranch 99 is located, I’m always surprised how the shoppers show absolutely no interest or curiosity in our odd activities. We might as well be invisible.

Chuckle Fish and Mullets, ink & watercolor, 5x6"

Even though I was tired at the end of the evening, I couldn’t resist drawing the fresh fish on ice when I saw their names: Chuckle Fish and Mullets. I wonder what Chuckle Fish is in Chinese?

Their huge fish department always smells as fresh as the sea, unlike the horrible ammonia scent at my local Lucky’s. The live crabs and lobsters swim in tanks and the fish are displayed whole. The fish mongers cut them to order and will even deep fry them for you.

You can see Cathy’s great sketches from the evening here and Micaela’s here on our Urban Sketchers blog. Being graphic designers they both have such wonderful design sense!

P.S. I just discovered that the store’s name is “99 Ranch” not “Ranch 99″ although neither makes much sense to me. According to Wikipedia, in Chinese numerology, 99 means “doubly long in time, hence eternal; used in the name of a popular Chinese-American supermarket chain, 99 Ranch Market.”

Succulents Along the Walk, ink & watercolor, 7x5"

To shake things up a bit I thought I’d try a watercolor Moleskine watercolor sketchbook this time instead of binding a new journal. These sketches are the first in the Moleskine from a walk in my neighborhood on a sunny winter day.

A few spreads into the Moleskine, I’m liking the paper but hating the stupid, floppy, too-wide landscape format. Why, oh why does Moleskine refuse to bind a watercolor book on the long size in portrait format! Brenda Swenson had a clever solution: she bought a very large watercolor Moleskine and sawed off half to make one the right size! Here’s someone else who had hers sliced at the local photocopy shop.

Succulents 2, ink & watercolor, 7x5"

The spike on this plant was about 15 feet tall but I didn’t think through how to make it look that way, and since it was in ink, it is what it is. The stalk should have gotten skinnier as it got further away instead of looking like a fat asparagus.

Mariah Sketches Her Living Room

Just a small post (with a tiny cellphone photo) to celebrate talented 12-year-old sketcher, Mariah, who loves to draw and paint. For Christmas I gave her the accordion-fold Moleskine above along with some acrylics and brushes. She texted me this drawing last night, an excellent rendition of her living room.

Abstract Acrylic Painting by Mariah

Above is another recent picture in a text message I received from Mariah showing me her latest acrylic abstract. She’s famous for her beautiful tropical beach and mountain paintings but now is exploring abstract (expressionist?) painting too.

End of Journal Self-Portrait #1, ink & watercolor, 7x5"

I finished my Sock Monkey Journal on New Years Eve by doing my usual end of journal self-portraits, drawing directly in ink. I did several, trying again and again to get a likeness. Each of them had bits of me, either in feeling or appearance, but none got a real likeness. This was my favorite, above.

Trying a profile (again and again), 7x5", ink

Since I only had a few pages left in the book I did all the starts above on one page. It’s tricky drawing a profile view in a mirror. You look, then draw, then look, then draw. It’s also rather painful looking so closely and seeing the effects of another year of gravity. But better than the alternative!

Worst one, ink & watercolor, 7x5"

I think the one above is the worst of the bunch. At this point I realized that I needed some serious studying and practice at drawing heads which I began doing the next day.

Self portrait with ponytail

Had I not added all the stupid ink to try to make shadows before painting it, this one might have been OK. Instead of using a mirror for this one, I took a photo with my iPad propped on the window sill while looking away from it and then worked from the photo.

Since I did these, I’ve already learned a lot about drawing heads from the Loomis book, “Drawing the Head and Hands.” I’ll be posting my practice from that book soon.

Subway heads on way to work, ink in Small Moleskine sketchbook

It’s appropriate to be posting sketches of heads since mine feels like it might explode if I have to make one more decision! There is so much going on in my little life right now, and so many important and non-important choices to make that my brain wants to go on strike.

Some of the decisions have to do with traveling with oil paints for the first time to the Rose Frantzen 5-day workshop in Arizona in early February (ship supplies by UPS or USPS? risk checking paints in my suitcase? how to get wet paintings home? live-in or drop-by cat sitter while I’m gone? plus all the travel worries a homebody like me can drum up).

Subway heads on way to San Francisco, ink in small Moleskine sketchbook

The guy on the left above was actually standing right above me on the subway and interested in what I had been drawing, posed for me. He was nice enough to say he liked it. I wanted to tell him I’d fallen in love with his chin, but figured that would be stupid.

Subway people waiting, drawing slowly

Other decisions I’m dealing with have to do with some remodeling of my duplex to prepare the back unit (currently my studio) as a rental unit, replacing both kitchen/pantry/laundry room floors, moving my studio out to the new former-garage studio (easier now thanks to space planning help from my sister the amazing interior designer), and lots of sorting and getting rid of stuff to prepare for the moves.

And all the above lead to leaving my half-time day job and getting to paint full-time. But of course there are decisions related to that too, like when to take the leap, currently planned for about a year from now.

I’m grateful these decisions are all about happy, exciting, positive changes. But even happy things can be stressful. There’s even a word for that: eustress.

eustress: noun.  Stress that is deemed healthful or giving one the feeling of fulfillment. From Greek: eu ‘well, good’ + stress, modeled on distress

The trick for me is to just make each decision once and not rethink it. Decide. Done. Next. I’m getting there.

Soup at Triple Rock Brewery, ink & watercolor, 5x7"

We met for Tuesday night sketching at the main Berkeley Firehouse where we had permission to sketch firetrucks and emergency paraphernalia (and maybe even a hunky fireman or too) but they had to shut down the station and send all their trucks and guys off to fight fires.

So we went around the corner to Triple Rock Brewery. I got a bowl of delicious soup and sketched it on the black plaid tablecloth (waterproof tablecloth of course—and a good thing as we saw a couple of pitchers spilled while we there).

Inside Triple Rock, ink, 7x5"

We had fun sketching and listening in on bar conversations. I was surprised how full the pub was on a Tuesday night, lots of energy and noise and people laughing.

Matthew's New Old Car, ink & watercolor, 7x5"

My neighbor Matthew who lives in the house across the street with three teenagers. I think this new old car must belong to one of them since he already has a car and a truck of his own. What interested me about the scene was the way the light was glowing on the car on this very bright early afternoon. And also the crows’ nest in the tree.

I sat on the little concrete porch outside my kitchen door looking down the cement path towards my front yard garden ahead on the left. I drew the basic shapes with pencil first, to get the drawing started with things where they belonged.

Why do I feel I have to apologize or confess when I draw in pencil instead of starting directly in ink? I like using both and sometimes I want things to be a little less wonky than they are when I just go for it in ink.

Pastime Hardware After Dark, ink & watercolor, 5x7"

Before I get to my reflections on art and life in 2011, a word or two about the sketch above (and below) from our evening at the hardware store. I stood and sketched between the paint solvent and cleaning product aisles (both stinky), using an aisle-end shelf for my paints.

Same Pastime sketch before adding the dark in the windows

When we finished and shared our work, I realized that in the original sketch above, I ignored the fact that it was dark outside. So when I got home I painted all the windows dark. I’m not sure which I like better. What do you think?

Accomplishments and Things Learned in 2011

STUDIO

• Converted a 440 square foot garage into my new studio including a patio door onto a deck off the studio, insulation, sheet rock, flooring, electrical, and water. Once I have everything moved in I’ll post the story with pictures.

PUBLICATIONS:

• So honored to have several sketches included in The Art of Urban Sketching: Drawing On Location Around The World (coming in February).
• Idaho Landscapes, the magazine of the Idaho State Historical Society published my painting Quinceanera Boy.

ART-LIFE

• After a brief (and briefly successful) venture into painting things to sell, returned to following my whims and inspiration instead of worrying about making work that would sell. This led to the series of 16×20 portraits of people at work in my community, now well underway.
• Learned from Rose Frantzen video (see clip here) to say “Oops, made a mistake…but that’s ok I can fix it!” instead of “Now I ruined it!” followed by self-critical name calling. It’s downright liberating!
• Realized that while I value and enjoy many different artists’ styles and techniques, I’ll never be as good as them at painting like them so I’m focusing on painting like me instead, which I can get good at.
• Learned to ask myself, “What do I want to do with art today,” and doing that, not what some imaginary critic or the illusion of an audience is demanding that I should be doing.
• I heard Robert Genn say that one’s style is often the thing one doesn’t do right, that it’s your mistakes or the rules you break that make it yours. I’m learning to relish and appreciate my wonkiness. Perfect is boring.
• When someone plays piano and finishes a tune, there’s nothing left, just quiet. Why not paint that way too, focused on the line, the brush stroke…enjoy the process and let go of the product.

TECHNIQUE AND MATERIALS

• Abandoned water-soluble oils and acrylics for regular oils after learning from my friend Kathryn Law how to reduce the use of toxic chemicals and still get the consistency I like.
• Started watercolor sketching instead of oil painting at plein air paintouts to quickly capture a scene and keep moving instead of standing in one spot for hours while the light changes completely.
• Tried a bunch of different pens, from expensive Namiki Falcon fountain pen that I didn’t love (sold it) and inexpensive uni-ball Vision Roller Ball, but returned to my favorite, Lamy Safari Extra Fine Point Fountain Pen with Carbon Platinum ink. Both hold up well on the watercolor paper I use in my journals.

STUDY/WORKSHOPS:

• Registered for a week-long Alla Prima Portraiture class with Rose Frantzen at Scottsdale Artists School in February 2012. (So excited!!!) It is way out of my comfort zone (and budget) but I adore her work  and her book, Portrait of Maquoketa and she is a fabulous teacher.
• Took a 3-day workshop with Peggi Kroll-Roberts in her studio after studying her series of CDs. Learned how to mix/use juicy luscious paint and more. She said I needed to work on my drawing.
• Studying the Loomis books Drawing the Head and Hands and Figure Drawing for All It’s Worth to improve my people-drawing skills. Unlike a painting of a pear which can succeed even if the drawing is a bit off, a portrait will fail. It may still be an interesting painting, just not of the person you’re painting.

SKETCHING AND BOOKBINDING

• Continued to sketch nearly every Tuesday night with my Urban Sketchers group and regularly sketch my world. As a group we have committed to a sketch a day in January.
• Finally mastered binding journals using the method in my directions and can create a journal in a few hours instead of days.
• To mix things up I switched to a Moleskine when I finished the last journal and am already missing my handmade sketchbooks with their really nice multimedia paper.

ART BUSINESS/SALES

• Made the decision to wait until I leave my day job in a year to put effort into art biz/marketing and just concentrate on painting until then.
• Sold a number of paintings early in the year on DailyPaintWorks.  Recently sold a sketch of Der Wienerschnitzel for their corporate collection.

BLOGGING

• Found balance by prioritizing making art and living life above blogging about it.
• Celebrated my six-year blogging anniversary with 180,000 views in 2011 (982,746 total); 141 new posts (total 1,004) and 418 pictures uploaded in 2011.
• Posted regularly and administered the Urban Sketchers S.F. Bay Area blog.
• Regularly follow about 30-50 other art blogs.

Putting Up the Xmas Lights by the Park, Ink & watercolor, 7x5"

It was such a beautiful sunny day (our drought continues) I decided to go for a walk and find a spot to paint outdoors instead of in the studio. I walked the mile to Peet’s Coffee and then, with a cup of their dark, rich (decaf) coffee in hand, I turned towards home, still looking for inspiration.

I passed the little urban creek behind Peet’s, and considered sketching it but it was shaded by trees and very chilly.  As I walked by the little pocket park alongside Albany Hill, this little cul-de-sac called out, “Paint Me!” With a handy picnic table right there to lay out my paints, how could I resist?

Although I usually sketch directly in pen, this scene was so complicated I decided to draw in pencil first. As I was completing the drawing I spotted a guy on his roof with a string of holiday lights. Do you see him? I know it looks like he’s standing on top of a tree but the roof of his house is just behind the tree. I think I made him a bit of a giant!

Brennan's Bar Decked Out for the Holidays, ink & watercolor, 5x7"

I hope your holidays are full of love and joy (and some sketching too!) The picture above is from Brennan’s Hoffbrau and Sports Bar, one of my favorite indoor places to sketch (and to eat—they have roasted turkey legs all year long!). Although our Tuesday night drawing group spread out to sketch at different tables in the cavernous space (a former train station) we all ended up drawing these same guys at the bar. Micaela did an amazing panorama of the whole joint including me sketching (seen here on our Urban Sketchers blog).

Big Guy and Photo of Prize Steers, ink, 5x7"

The “decor” at Brennan’s includes many old framed photos on the walls of men in suits showing off their prize-winning steers. This guy was as big as a steer and when he got up and left before I could finish drawing him at the table I added the steer photo to complete the picture.

Wreaths for Sale, ink & watercolor, 7x5"

When the sun is shining I find it hard to stay indoors, painting in the studio, so I take a break for a walk and some “sketchercize.” I headed to the Farmers Market to sketch but got seduced by Trader Joe’s display of wreaths for sale instead.

While I stood and sketched, using a tall planter as a table for my watercolors and water, volunteers were collecting signatures on a petition to end the death penalty in California. I signed.

Abutilon Blooming in December, ink & watercolor, 7x5"

On my walk home I spotted a beautiful, wildly blooming abutilon with wonderful red and yellow patterned blossoms. I would have liked to snip off a few flowers to take home and draw in detail, but I recently read reports of flower thieves in my neighborhood, stealing whole plants as well as taking cuttings and ruining plants. I didn’t want anyone to think that thief was me!